CHERRY LOU

SY

& PLAYS

WORDS, PROSE

IN THE BEGINNING WAS THE WORD

IN THE BEGINNING WAS THE WORD ✦



# WHAT IS COMING UP?

Love Can’t Feed You

ABOUT THE NOVEL

A beautiful, tender yet searing debut novel about intergenerational fractures and coming of age, following a young woman who immigrates to the United States from the Philippines and finds herself adrift between familial expectations and her own burning desires

Love Can’t Feed You is a stunning, heartbreaking, and compressed look at coming of age, shifting notions of home, and the disintegration of the American dream. It asks us: What does it mean to be of multiple cultures without a road map for how to belong?        

After a harrowing flight, Queenie, her younger brother, and their elderly Chinese father arrive in the United States from the Philippines. They’re here to finally reunite with Queenie’s Filipina mother, who has been working as a nurse in Brooklyn for the past few years—building a life that everyone hopes will set them up for better prospects. But her mother is not the same woman she was in the Philippines: Something in her face is different, almost hardened, and she seems so American already.
 
Queenie, on the cusp of adulthood, has big dreams of attending college, of spending her days immersed in the pages of books. But there is not enough money for her and her brother to both be in school, so first she must work. Queenie rotates through jobs and settles, tentatively, into her new life, but her brother begins to withdraw and act out, and her father’s anger swells. As the pressures of assimilation compound, and the fissures within her family deepen into fractures, Queenie is left suspended between two countries, two identities, and two parents.

REVIEWS

Rich details of Filipino culture such as folk stories and religious iconography are interwoven with gritty depictions of the compromises made by the immigrant characters, some of whom work in seedy massage parlors. It’s a knockout.
— Publisher's Weekly

BOOK CLUB KIT

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Upcoming events.

August 15, 7:00PM - 8:00PM CDT

WRITER’S LEAGUE OF TEXAS PANEL DISCUSSION

PART 1: “THE BIG DEBUT: PRE-PUBLICATION”

MEET THE CREATOR

CHERRY LOU SY (she/her) is a writer/playwright originally from the Philippines of Chinese and Filipino heritage. Currently based Brooklyn, New York, she received her BA at NYU’s Gallatin School of Individualized Study and attended Brooklyn College’s MA in English Literature as well as the MFA in Playwriting program under Mac Wellman and Erin Courtney. She’s a recipient of fellowships and residencies from VONA and Tin House among others and a finalist for way too many things to mention.

# SELECTED WORKS:

## THEATER

01

ANIMUS

TWO SISTERS. JUST TALK IN THE MIDDLE OF THE NIGHT AT 3AM.

WHO ARE YOU AND WHAT DO YOU WANT?

A FILIPINO MOTHER AND HER AMERICANIZED DAUGHTER ARE SHELTERING TOGETHER IN AN APARTMENT IN BAY RIDGE IN BROOKLYN DURING THE HEYDAY OF THE PANDEMIC IN NEW YORK IN THE SPRING OF 2020 WHEN NO ONE KNOWS WHAT COVID IS AND EVERYONE SEEMS TO BE DROPPING LIKE FLIES.

MOTHER IS A NURSE WORKING AT A HOSPITAL AND COMES HOME EVERY NIGHT IN HER PPE WHILE DAUGHTER, WHO LOSES HER REGULAR JOB, HAS TO MOVE BACK HOME AND STARTS WORKING AS A YOGA INSTRUCTOR DOING ZOOM CLASSES.

EACH NIGHT IS A NIGHT THAT SEEMS TO REPEAT ITSELF IN A CYCLE OF MISERY AND UNFULFILLED DESIRES. MOTHER CAN'T STAY WITH HER NEW BOYFRIEND WHILE DAUGHTER JUST BROKE UP WITH HERS.

NOW THEY'RE IN THIS APARTMENT TOGETHER WITH THE VIRUS LOOMING, ANTI-CHINESE HATE RISING, AND BLACK LIVES MATTER MOVEMENT BOILING. CAN THEY SURVIVE EACH OTHER AND THEIR POLITICS BEFORE COVID ENDS?

02

NOT FOR LONG

03

PAPER SWAG

JOHNNY, THE SON OF A KHMER ROUGE SURVIVOR WHO OWNS A NAIL SALON, AND DESHAWN, THE FIRST KID IN HIS FAMILY TO GO TO COLLEGE ARE UNLIKELY FRIENDS GOING TO A MAGNET HIGH SCHOOL IN NYC.

THROUGH SHEER WILL, THEY MUST SOMEHOW FIGURE OUT HOW TO WRITE A COLLEGE ESSAY THAT WILL GET THEM NOT JUST ADMISSION, BUT A FULL RIDE. USING ARISTOTLE’S RULES FOR PERSUASION, THEY SHOW US GLIMPSES OF THEIR LIVES AND THE LIVES OF THE WOMEN WHO RAISE THEM TO BECOME MEN.

04

THE PANIC ROOM

MAY, A DOCTORAL STUDENT, ATTENDS A GRIEF THERAPY GROUP. AS SHE DELVES MORE INTO HER TRAUMA, REALITY AND ILLUSION FALL APART AS SHE CONTENDS WITH GLOBALIZATION, IDENTITY POLITICS, INTERGENERATIONAL TRAUMA, AND THE ABSURDITY OF ALL THEM COMBINED.

05

GIRL

A TEXT-MOVEMENT EXPERIMENTAL CONTEMPLATION ON THE RELATIONSHIPS OF CONTEMPORARY MEN AND WOMEN, AND HOW IN THE ACT OF LUST WE DISCOVER WHO WE ARE AND WHO WE ARE NOT.

# SELECTED PUBLICATIONS

## ARTICLES

## LITERARY PUBLICATIONS

EXQUISITE CORPSE OF THE NIGHT WOMAN

# PRESS

## Theatrical Reviews

Possessed is a Verb

01

Now weeks in the wake of the performance, I’m still thinking about Sy’s play, which—with only two chairs, a table, a box of tissues, a bottle of water, and one perfect stranger—helped recalibrate my notions of performance, possession, appropriation, and grace.
— Kate Dakota Kremer

## INTERVIEWS

MASSACHUSETTS REVIEW

01

Maria slinked in corners and stood next to objects that did not move, pretending that she was an object. She held on to her growing belly. It wouldn’t stop moving, wriggling like a worm exposed to the sun. She tried to wear bigger clothes, pretending that nothing was happening in the area of her stomach, but still, it would not stop.
— "The Nameless," Vol. 64, Issue 1 (Spring 2023)

HAPPILY EVER AFTER

HAPPILY EVER AFTER ✦



STILL HAVE QUESTIONS? LET’S chat.

Literary represention by Transatlantic Agency:

Amanda Orozco
amanda@transatlanticagency.com

Laura Cameron
lcameron@transatlanticagency.com

Or contact me directly: